Read the passage carefully questions 1 to 9 each highlight a portion of a sente 8 - HiSET Prep

Question

Read the passage carefully. Questions 1 to 9 each highlight a portion of a sentence from the passage. For every question, choose the answer that best improves grammar, punctuation, sentence structure, or clarity without changing the meaning. Select the option that strengthens the sentence while preserving the author’s style.

9. A Rose for Emily by William Faulkner

WHEN Miss Emily Grierson died, our whole town went to her funeral: the men through a sort of respectful affection for a fallen monument, the women mostly out of curiosity to see the inside of her house, which no one save an old man-servant--a combined gardener and cook--had seen in at least ten years.

It was a big, squarish frame house that had once been white, decorated with cupolas and spires and scrolled balconies in the heavily lightsome style of the seventies, set on what had once been our most select street. But garages and cotton gins had encroached and obliterated even the august names of that neighborhood; only Miss Emily's house was left, lifting its stubborn and coquettish decay above the cotton wagons and the gasoline pumps-an eyesore among eyesores. And now Miss Emily had gone to join the representatives of those august names where they lay in the cedar-bemused cemetery among the ranked and anonymous graves of Union and Confederate soldiers who fell at the battle of Jefferson.

Alive, Miss Emily had been a tradition, a duty, and a care; a sort of hereditary obligation upon the town, dating from that day in 1894 when Colonel Sartoris, the mayor--he who fathered the edict that no Negro woman should appear on the streets without an apron-remitted her taxes, the dispensation dating from the death of her father on into perpetuity. Not that Miss Emily would have accepted charity. Colonel Sartoris invented an involved tale to the effect that Miss Emily's father had loaned money to the town, which the town, as a matter of business, preferred this way of repaying. Only a man of Colonel Sartoris' generation and thought could have invented it, and only a woman could have believed it.

When the next generation, with its more modern ideas, became mayors and aldermen, this arrangement created some little dissatisfaction. On the first of the year they mailed her a tax notice. February came, and there was no reply. They wrote her a formal letter, asking her to call at the sheriff's office at her convenience. A week later the mayor wrote her himself, offering to call or to send his car for her, and received in reply a note on paper of an archaic shape, in a thin, flowing calligraphy in faded ink, to the effect that she no longer went out at all. The tax notice was also enclosed, without comment.

They called a special meeting of the Board of Aldermen. A deputation waited upon her, knocked at the door through which no visitor had passed since she ceased giving china-painting lessons eight or ten years earlier. They were admitted by the old Negro into a dim hall from which a stairway mounted into still more shadow. It smelled of dust and disuse--a close, dank smell. The Negro led them into the parlor. It was furnished in heavy, leather-covered furniture. When the Negro opened the blinds of one window, they could see that the leather was cracked; and when they sat down, a faint dust rose sluggishly about their thighs, spinning with slow motes in the single sun-ray. On a tarnished gilt easel before the fireplace stood a crayon portrait of Miss Emily's father.

They rose when she entered--a small, fat woman in black, with a thin gold chain descending to her waist and vanishing into her belt, leaning on an ebony cane with a tarnished gold head. Her skeleton was small and spare; perhaps that was why what would have been merely plumpness in another was obesity in her. She looked bloated, like a body long submerged in motionless water, and of that pallid hue. Her eyes, lost in the fatty ridges of her face, looked like two small pieces of coal pressed into a lump of dough as they moved from one face to another while the visitors stated their errand.


Sentence from the passage:
Leaning on an ebony cane with a tarnished gold head, (highlighted text: her skeleton was small and spare.)

Which revision correctly fixes the dangling modifier?

Answers
  1. correct
Explanation
Explanation
This revision correctly fixes the dangling modifier by providing a clear subject (“she”) immediately after the introductory phrase. It maintains the original meaning while improving grammatical structure. The full corrected sentence becomes: “Leaning on an ebony cane with a tarnished gold head, she, with a small and spare skeleton, leaned on an ebony cane with a tarnished gold head.” This revision preserves Faulkner’s descriptive tone while resolving the modifier issue.
Why the other options are incorrect:
  • A. she leaned on an ebony cane with a tarnished gold head, her skeleton small and spare.
    This version improves clarity but uses a comma splice and shifts the descriptive emphasis. The structure feels more modern and less stylistically aligned with the narrative tone. It is grammatically acceptable but less effective than option C at preserving the flow of the original sentence.
  • B. her small and spare skeleton leaned on an ebony cane with a tarnished gold head.
    This creates an illogical image by suggesting that her skeleton—not Miss Emily herself—was leaning on the cane. The sentence assigns agency to the skeleton instead of the person, which introduces unintended humor and distorts meaning.
  • D. No change
    The original sentence contains a dangling modifier because the introductory phrase “leaning on an ebony cane with a tarnished gold head” does not clearly refer to the subject that follows (“her skeleton”). The structure creates confusion and must be revised to establish grammatical correctness.

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